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We couldn't resist running three instances of Stutter Edit in series to see how it would hold up - this resulted in a complex sound with smooth transitions. Each effect can work in a stereo linked manner or with separate settings per channel. It needn't be a plain linear transition from minimum to maximum, as there's a setting for curve shape. When you hit a MIDI note, the parameter glides smoothly from beginning to end, then starts over. Once you get into editing the gestures, the software becomes more than just a novel curiosity.Įach module has 'split' sliders for its available parameters (eg, delay time for delays, bit depth for the bitcrusher), and while these can be set at fixed positions, the real fun is had by setting a start and end point. Using even the simplest loops as a starting point, it's possible to go wild with the gestures, and the results are instantly musical. This was all without touching a single control on the front panel. By default, these control the global filter (a DJ-style combined low-pass/high-pass affair) and starting point in the gesture.
STUTTER EDIT MAGESY MOD
We had a couple of hours of self-indulgent fun running tracks through the plug-in and messing with the pitch and mod wheels. There are hundreds of presets from the likes of Richard Devine and BT himself, so it really is a case of plug and play.